The Plagiarist From Rigel IV — A Reader’s Guide

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In Category - Other Worlds
Terry, W. E., 1921-1992 [Illustrator], Hunter, Evan, 1926-2005 Project Gutenberg 2021
Science fiction; Short stories; Authors -- Fiction; Typewriters -- Fiction; Human-alien encounters -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words: 8,363
Reading time: 37 min
Text sections: 1
A struggling writer buys a cheap typewriter that types only Poe and Shakespeare, then discovers it's an alien from Rigel IV on a literary vacation. The story uses a pawn shop bargain, a talking machine, and a clash of galactic egos.
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Editorial Edition Score 4.4/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

Edition quality

The story opens with a first-person narrator buying a Remington Noiseless typewriter from a pawn shop for five dollars—a price so low it immediately signals something is off. The proprietor's eagerness and relief at the sale, combined with the narrator's suspicion, set up a classic bargain-with-a-catch premise. The narrator, a would-be writer living in a small Village apartment, hopes the machine will help him break into the creative scene. Instead, he discovers the typewriter has a peculiar habit: it can only produce text by Edgar Allan Poe and William Shakespeare. The pawnbroker explains that the previous owner, a PhD in American literature, typed his collections on this machine, and the typewriter simply 'picked it up.'

A Typewriter with a Literary Habit

The central gimmick of the story is a typewriter that has absorbed the styles of two canonical authors. The narrator's frustration is palpable as he tries to use the machine for his own work, only to have it churn out Poe and Shakespeare. The pawnbroker's casual explanation—'the machine just ... picked it up'—treats the phenomenon as a quirk rather than a miracle. This detail grounds the fantastic element in a mundane, almost absurd logic. The narrator's reaction shifts from disbelief to anger, culminating in his declaration that he will 'break that damned habit.' The machine's stubbornness becomes a character in itself, and the conflict is framed as a battle of wills between a desperate writer and a possessed appliance.

The Alien Reveals Itself

When the narrator accuses the typewriter of being a 'cheap plagiarist,' the machine responds in all caps: 'STUPID?! Why, YOU—YOU—EARTHMAN!!' This moment transforms the story from a supernatural comedy into a science fiction encounter. The typewriter claims to be an alien from Rigel IV, on vacation, and dismisses Earth's literary achievements as backward. The narrator's sneering retorts and the machine's indignant clatter create a rapid-fire exchange that mimics a heated argument. The shift key becomes a plot point when the alien complains about being put in lower case, adding a layer of technical humor. The narrator's 'crafty feeling' at the end of the excerpt hints at a plan to exploit the alien's abilities, though the full outcome is not shown.

Catalog Subjects vs. Story Content

The catalog lists 'Authors -- Fiction,' 'Typewriters -- Fiction,' and 'Human-alien encounters -- Fiction,' which accurately reflect the story's elements. However, the subject 'Short stories' is generic, and 'Science fiction' is broad. The excerpts show that the story is less about alien invasion and more about a comedic struggle over creative control. The pawn shop setting and the narrator's financial desperation are not captured by any subject heading. The alien's motive—to 'absorb your puny literature during my vacation'—is a playful twist on plagiarism, but the catalog does not indicate the story's satirical tone. Readers expecting a serious sci-fi plot may be surprised by the banter and the focus on literary references.

The excerpts end before the narrator's scheme unfolds, leaving the resolution unknown. The story's humor depends on the contrast between the narrator's lofty ambitions and the machine's stubbornly highbrow output. Readers should pay attention to the dialogue format, where the typewriter's responses are rendered in all caps or lower case, and note how the pawnbroker's earlier relief foreshadows the machine's true nature. The tale is a lighthearted exploration of what it means to be original—or to borrow from the best.

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